Are you passionate about guitar tone?
I’m not just passionate about guitar tone; I’m passionate about guitar construction and the facts that effect playability and tone. Other than how your guitar looks and feels, does anything else really matter? Too many people are concerned about a name on the headstock and have no real understanding of what they are buying or why they may have a propensity to enjoy the one instruments tone over another.
My desire is to educate you regarding the facts that contribute to guitar tone as it relates to scale length and pickup location. Pickup location is critical because for any pickup to take the motion of a plucked string and turn it into sound it must be placed near the strings – strategically.
Many aspects of a guitar are subjective and we can argue about them incestuously. They are a matter of personal preference – no right or wrong. What we are focused on here is based on the laws of physics. This is the science, not an opinion!
Let’s briefly talk about the scale of an electric guitar. For the purpose of this post I will focus on the 25” scale length. This is the length of the string between the nut and the bridge. Most electric guitars have a scale length between 24 ¾” and 25 ½”, with a few exceptions. The shorter the scale the shorter the spacing is between frets. For any given string gauge (thickness) of string the tension required to produce a given note is less than the same string on a longer scale. So for a given string gauge, a guitar with a longer scale will have more string tension along the neck. Perhaps we’ll get into what all that means in another blog post.
Pickup location is important because the amount of motion (or distance travelled across the pickup) of a plucked string is different as you travel along the string from one end to the other. The amount of string vibration at the pickup location makes a difference in which notes are picked up. Notice I said notes. When you pluck a string there is a fundamental harmonic or PRIMARY TONE and a series of OVERTONES. How much of the primary tone and each successive overtone is picked up changes as you move the pickup location up and down the strings. Following is an illustration to demonstrate the vibration of a plucked string. Note the points along the string where the string does not have any motion for a given overtone are called NODES. Also think of the nut and bridge as nodes. The greatest string travel for any given frequency that would generate the most electrical energy or sound occurs at the center point between the nodes of any given frequency.
Nodes are important because they are DEAD SPOTS for that overtone. If a pickup is located at a node of any overtone, that overtone will not be heard because the pickup is located in a dead spot where there no motion associated with that frequency. The amount of electrical energy created by a given pickup is directly proportional to the amount of string motion or travel over the pickup, so if there is no string travel at a particular frequency, there is no electrical energy or sound created at that frequency. The greatest string travel that would generate the most electrical energy occurs at the center point between the nodes of any given tone or frequency.
Pickup positioning effects the tone of your guitar and now you know why. It determines how much of the primary and each successive overtone is picked up. I hope the illustration helps you understand why the bridge and neck pickups sound so different. In particular, how critical the location of the neck pickup is and how it effects the sound created. I generally prefer a 24 fret, two octave guitar neck. The reason is that for most guitars with 22 fret necks, the neck pickup is located at the dead node of the second overtone on the open scale.
I’ve calculated the dead nodes for every primary tone and each of the associated first five overtones possible on an electric guitar with a 25” scale and 24 frets. Ed Roman built a custom Quicksilver for me we called the Quicksilver Wizard. I traveled to Ed’s custom shop to share my data with him and see how the stock Quicksilver pickup positioning compared. Ed was amazed as he told me how he had spent days with Seymour Duncan & Rick Turner positioning the neck pickup by ear. Guess what… the data backed up their ears. We measured the distance from the edge of the nut to the center of the poles on the neck pickup. It was exactly in the optimal location to maximize the overtones picked up, precisely 19.385” from the nut.
The proximity of the pickup to a string also impacts the amount of electrical energy or sound created. It seems rather obvious, but if you raise or lower one end of the pickup you can add to or take away from the energy created by the strings nearest that end of the pickup. So if you want more bass, raise the low E end of the pickup, lower the high E end of the pickup or do a little of both. You may not be able to change your pickup location, but this is something I would encourage you to experiment with in your quest for just the right tone.
-John Johnson